Dina Polizzi’s first novella Two Apache Sisters and a Texas Gigolo was on my read-list for awhile, not only because Polizzi is my friend and neighbor but due to its marriage of magic, tarot, and its esoteric nature, which all interest me.
Brace yourself. Try to imagine a world in which the violin has become “nearly obsolete.” I know, right?! You’ve nearly fallen to your knees, begging for mercy, asking yourself why. Why, great creator, did humanity ever get to this point?
I am a big fan of the violin. I am learning to play it at almost 40 years old because I feel that it is the most beautiful instrument on the planet. Yet, when Trollope kicks off his futuristic dystopia novella The Fixed Period (British, 1882) with this absolutely chilling vision, it signals that although Trollope is one of the most skilled Victorian Realist writers, the man had next to no imagination.
Masculinity is expected to be presented and challenged in traditional epic tales. Texts that include epic journeys of their protagonists, such as The Epic of Gilgamesh, The Odyssey, and The Bible, capture challenges that call into question man’s courage, strength, intelligence, love, dedication, and more. I mean, just look at Odysseus here, rendered helpless, with the sirens encroaching:
So when I picked up the first book in Robert Jordan’s 14-book series The Wheel of Time, The Eye of the World (American, 1990), I was not surprised that this epic tale centers on a quest to purify the masculine half of the One Power, which is integral in turning the Wheel of Time.