Dina Polizzi’s first novella Two Apache Sisters and a Texas Gigolo was on my read-list for awhile, not only because Polizzi is my friend and neighbor but due to its marriage of magic, tarot, and its esoteric nature, which all interest me.
After much effort I finally finished Mikail Bulgakov’s The Master and Margarita (Russian, 1967), which a student recommended to me years ago when she heard that I was interested in exploring how and why the “devil” becomes female in literature. This, my seventh installment, presents what may seem at first a challenge to the rule that the devil is feminized or female, at least at some point, in most texts.
I generally enjoy reading Russian literature of the 20th century but my first dance with Bulgakov had me shooting in all kinds of directions. I was enamored with his satirical imagery that often bordered on surrealism. At times he painted such vivid pictures of the most ridiculous acts and people that I found myself pausing to imagine these images as they would appear in a film. Maybe one directed by Maya Duren or David Lynch.